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Half
Moon Bay Review
Wed.
Dec. 26, 1990
The band
that would be king
If image,
desire and ambition alone guaranteed success for a
rock and roll band, Xtender would be headed for
stardom. Harry Mello is the image. He has a cleanly
shaven head that begs to be rubbed. He wears a
piano keyboard bolo tie and black sunglasses dotted
with white music bars and notes. He is a composer,
vocalist and keyboard player. Dave Crimmen and
Mello are the creative force behind the group.
Crimmen is a vocalist, lead guitarist and composer.
He speaks in a booming voice and wears his hair in
a kind of Elvis pompadour as physical evidence that
the "King" has influenced his music.
They are
guiding the five-piece rock and roll band through a
maze of nightclub performances in the area. El
Perico has hosted the band a number of times and
will feature it again Saturday. Xtender plays rock
and roll from the fifties, sixties, seventies and
eighties. In a four-hour performance, Crimmen said
half of the music they play is original, most of
them composed by Mello and Crimmen. Rounding out
the band are Carlson (guitar and vocals), D'Amato
(drums, percussion and vocals) and Ramos (bass,
keyboards, guitar and vocals). "We're all in our
30s and the naivete and youthful emotion is not
taking its toll on this band," he said. "We're all
keeping the band as a priority," added Crimmen.
Both believe they are progressing toward their
goal, Top 40 stardom. That is the way Mello said he
judges a band's potential. "Initial momentum can
derail," Mello said. "So far we have been able to
deal with the problems that have come up. I look at
the progress a band makes. If it takes too long to
move up the ladder, inertia can set in."
In the year
the group has been together, they have recorded one
demo tape and a second one is in preparation. Major
recording companies have been approached and one of
the songs from the first tape is getting "airtime"
on radio stations in South Carolina. By choice,
they have no agent or manager. Since they have not
signed with a record company, they have complete
creative and booking freedom. "Nobody can tell us
what to do or perform," said Crimmen. "We write,
produce, record and perform." Freedom has its
advantages, but Mello said the reality of the
industry is that bands need the financial backing
of major recording companies. "We like the
independence but have no real visibility," he said.
"We need the distribution to get where we're
going."
Crimmen
called on relatives with friends in the radio
industry to get some airplay for one of their songs
on the East Coast. He called it the "good old by
network" and said it is one of the ways to gain the
attention of a recording company. While recording
companies may be cautious to sign contracts with
unproven bands, a band that has already gained
popularity is not much of a risk. Competition for
recording contracts is fierce, but Mello said he
doesn't consider Xtender to be in competition with
other bands. "You can't compete or play to what
other bands are doing," said Mello. "If you create
art, the audience will respond to that. Create
what's in your heart and do the best you can do."
"You have to let art dictate to business, not
business dictate to art," said Crimmen. Business
considerations are sometimes part of the creative
process. When composing a song, its marketability
can have an influence. "You can consciously craft
things to give yourself an edge," said Mello. "When
you create a song you may have several beats that
can go with it and choose a dance beat because it
will give the song an edge." Their first recording
is being sold by the band at performances. They are
also negotiating with Tower Records to make it
available there.
-Tamara
Rogers
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